A local focus. A defined scope.

The company behind the name

We are the painting & decorating division of Hampstead Renovations Limited, Company No. 16838595. The company’s nearby office is at Unit 3 Palace Court, 250 Finchley Road, London NW3 6DN. Contact us on 020 7101 3168 or at contact@hampsteadrenovations.co.uk.

Primrose Hill is the centre of the brief

Our focus runs from Regent’s Park Road and the Chalcot streets to Gloucester Avenue, Elsworthy, Fitzroy Road, Princess Road and the canal edge. Belsize Park, Chalk Farm and Camden Town enquiries are also welcome. The full address and proposed work guide the discussion of scope and availability.

Decisions that belong in the specification

Decoration involves choices about what to retain as well as what to change. Put the surfaces, preparation, materials, protection and access in writing. If repairs or other building work come first, define that handover before agreeing how the painting will be sequenced.

How to read the website

The local guides link to the council and heritage sources behind their architectural and planning facts.

Painting and decorating, inside a renovation company

Primrose Hill Painters & Decorators is the painting and decorating division of Hampstead Renovations Limited, Company No. 16838595. The company’s nearby office is Unit 3 Palace Court, 250 Finchley Road, London NW3 6DN. Telephone 020 7101 3168 and email contact@hampsteadrenovations.co.uk reach that business. The division exists so a decorating enquiry can be discussed on its own terms: which surfaces, which preparation, which products, which access, and which rooms or elevations are in the scope. The published office is on Finchley Road. A Primrose Hill address in the enquiry does not create a second company. When a wider building project is already in hand, decoration still needs its own handover. Plaster, joinery repairs and any other work that must finish before paint or paper should be named, with the person who will say that the surface is ready. If those repairs are not part of the decorating conversation, they should sit outside the painting specification instead of being folded into an undefined preparation line. The written quotation, once scope and availability are agreed, is how the decorating work is defined. An email or a form message starts that discussion. It does not confirm a date.

Where the work is concentrated

The centre of the brief is Primrose Hill in the London Borough of Camden, across NW1 and NW3. That means Regent’s Park Road and its mews, Chalcot Square and Chalcot Crescent, Gloucester Avenue and the canal edge, Elsworthy, Fitzroy Road and Princess Road. Each of those places is given its own page because the conservation documents do not describe one repeated façade. Enquiries from Belsize Park, Chalk Farm and Camden Town are welcome, and they are marked as neighbouring areas so the correct Camden statement can be used. A Belsize frontage is read against the Belsize statement and the Belsize Article 4 fact sheet. A Chalk Farm address may or may not fall inside the Eton Conservation Area. A Camden Town flat over a shop is not the same brief as a Primrose Hill villa. Send the full address. The street name decides which local page, which consent questions and which access notes are worth attaching. Coverage on this site is a statement of where enquiries are invited. It is not a claim that any particular house has already been painted, and it is not an appointment by an estate or a conservation body.

Sources: Camden: Belsize Conservation Area statement; Camden: Belsize Article 4 fact sheet, June 2026; Camden: Eton Conservation Area statement; Camden: Primrose Hill Conservation Area statement; Camden: Camden Town conservation appraisal

How the rest of the site supports an enquiry

The service pages break the work into interiors, exteriors and painted stucco, joinery and sash windows, wallpaper, period-home decoration, and colour planning. Use them to name surfaces. The neighbourhood pages connect those surfaces to the building fabric Camden and Historic England describe, and each one carries the sources for its architectural and planning points. The guides go further into consent, parking and deliveries, the period-home brief, and flats in shared buildings. The materials page is where a chosen product, colour and sheen should be written down. The quotations page is where the specification’s boundaries, exclusions and changes belong. Our approach describes the order of a conversation, from the present condition of the property to a record you can keep. You do not need to read every page. Choose the ones that match the address and the surfaces, note what is still unresolved, and send that with photographs. If a managing agent, a listing entry or a permission already exists, include it. The more precise the note, the more useful the discussion of scope and availability can be.